Showing posts with label TV. Show all posts
Showing posts with label TV. Show all posts

Sunday, November 29, 2015

Disability.TV: Reboot Update

I am working on the first episode of the new, shorter, rebooted Disability.TV Podcast. It will be on one of my favorite episodes of one of my favorite TV shows, The West Wing, Season 6, Episode 9, “Impact Winter.” It’s a favorite because it includes a few of the best, most truthful, complex, and triumphant senses of disability in all of television. Here’s what Netflix says:

“As Bartlett and his staff arrive in China for a critical meeting, the president is still suffering the paralyzing effects of multiple sclerosis.”

The podcast should be ready to post in mid December. Join me in exploring a President Bartlett's first full encounter with MS.

Here is a tentative podcast schedule for the first half of 2016:

January

The Cage / Menagerie Conundrum 
Season 1, Episode 1, “The Cage”
Season 1, Episode 11 & 12, “The Menagerie, Parts I & 2”

February

Chief Ironside, Peer Counselor 
Season 1, Episode 11, “Light At The End Of The Journey” 

March

Tyrion’s Prison Conversations 
Season 4, Episode 8, “The Mountain and The Viper” 

April

House’s Leg
Season 1, Episode 21, “Three Stories”

May

Character Profile: Mickey Abbott

June

Character Development Instrument
Season 1, Episode 1, “Pilot” 

If you have any thoughts on these or other TV shows with disabled characters, send an email to: apulrang@icloud.com. Or, contact me with Twitter or Facebook. I would love to include

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Thursday, November 5, 2015

Odo and The Scientist

I re-watched a TV episode last week that felt a lot like it was about disability, even though it wasn't about disability at all.

Photo of the character OdoThe show was Season 2, Episode 12 of the 1990s show Star Trek: Deep Space Nine, "The Alternate." The episode's main story concerns Odo, a regular character on the sci-fi show with highly unusual origins and biology. Odo is a Shapeshifter. He is, at this point in the series, assumed to be one-of-a-kind. His natural resting state is liquid, and, with practice, he can become anything that he wants, anything from an animal to a piece of furniture. Most of the time Odo functions as an adult humanoid, and is the Deep Space Nine station's head of security or "Constable."

In this episode, Odo reunites with Dr. Mora Pol, the Bajoran scientist who years prior had been in charge of studying him and helping him fit in with "normal" society. In previous episodes, Odo had hinted that being a research subject after being "discovered" was a mixed experience at best. He learned a lot about his origins and abilities, but quickly grew to resent being gawked at and essentially imprisoned in a lab, existing mainly to satisfy the well-meaning but rather insensitive scientists' professional curiosity. Dr. Mora claims to have loved and cared for Odo, but it’s not hard to detect layers of exploitation and condescension in his manner.

Photo of character Dr. MoraThis theme is underscored by the tension between Odo and Mora when Mora visits the station. Odo behaves correctly but quite coldly towards Dr. Mora. Mora outwardly praises Odo's accomplishments like a proud parent or former teacher, yet all of his compliments come barbed with a vague disapproval, a sense that Odo has made poor decisions. He shouldn't have left the lab. He did a disservice to himself and the scientists by abandoning their research. And, most disturbing of all, Mora implies that Odo's acceptance by the other station personnel is superficial ... that as a Shapeshifter he is still someone apart, and in that sense really "belongs" with people like Mora himself, who really appreciate Odo and can help nurture his journey of self-discovery ... back in the lab, of course.

The relationship between Mora and Odo remind me of so many aspects of being an adult with disabilities, having grown up with disabilities, and the intimate but contentious relationships many of us have with doctors, therapists, teachers, and even our parents. People are rarely entirely selfless, or completely self-serving. The problem is that, like Dr. Mora, people in a position to help and care for disabled children and youth often have trouble acknowledging how personally invested they can be in our lives and decisions. Plus, their benevolence often comes across as paternalism, and a lack of full recognition of our agency, our personhood. On the other hand, we, like Odo, often find it hard to recover from old wounds, and have empathy for people who meant well, but made mistakes like all humans do ... and Bajorans for that matter. My sympathies are with Odo, but I do feel he was a bit too hard on Mora. Odo does want to learn more about himself and his origins. It’s just that he feels that the best way to do this is to live a normal and useful life, with all it’s variety and even danger. Mora thinks Odo should focus exclusively on himself, and essentially hide away in a safe place from a hostile world.

Even if you're not into science fiction shows, if you grew up with a disability or have spent part of your life treating, teaching, or raising a disabled child, watch this episode. It says more about the disability experience than most shows that are explicitly about disability.

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Thursday, October 15, 2015

Throwback Thursday

Illustration of the time machine from the film "The Time Machine"
Two years ago in Disability Thinking: Autism, Advocacy, and the Choices of “Parenthood”

How appropriate that two years ago I was writing about disability on “Parenthood,” as today I have listed the show among those I plan to discuss on the rebooted Disability.TV Podcast.

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Disability.TV Podcast Reboot: Upcoming Topics

Disability.TV logo, picture of an old-style TV set with four disability symbols on the screen, and the website address: disabilitythinking.blogspot.com
As I announced yesterday in a brief episode of the Disability.TV, I have decided to "reboot" the podcast. It will start November 30 with a discussion of one of my favorite episodes of The West Wing, dealing with President Bartlett's Multiple Sclerosis. Episodes will go up monthly, and each one will focus on either a TV episode dealing with disability, or on a disabled character on a TV show.

I hope it will be a lot easier and a lot less tedious discussing these smaller bites of TV shows. Usually, disability makes the biggest impact on TV in specific moments, and with a few standout characters ... another reason I think this might be a better approach.

If you are interested in disability on television, please have a look at this list of topics. Let me know which ones you would look forward to the most, and whether there are other episodes and characters you would suggest.

Even better, if you would like to join me for a discussion on the podcast, or maybe send in some written or audio comments, please do let me know so we can set it up.

Here is the list of topics I have so far:

The Cage / Menagerie Conundrum 
S. 1, E. 1 and S. 1, E. 11 & 12: “The Cage” & “The Menagerie Parts I and II” 

Calling The Klingon Kevorkian 
S. 5, E. 16: “Ethics” 

Advocate Or Asshole? 
S. 2, E. 6: “Melora” 

The Story of House’s Leg
S. 1, E. 21: “Three Stories” 

Character Profile: 
Dr. Gregory House 

Chief Ironside, Peer Counselor 
S. 1, E. 11: “Light At The End Of The Journey” 

President Bartlett's China Trip 
S. 6, E. 9: “Impact Winter” 

Character Profile: 
Joey Lucas 

Tyrion’s Prison Conversations 
S. 4, E. 8: The Mountain and The Viper” 

Character Profile: Bran & Hodor 

George Fakes A Disability 
S. 9, E. 1: “The Butter Shave” 

Character Profile: Mickey Abbott 

Hank’s Epiphany 
S 5., E. 11: “Promises” 

Max Melts Down 
S. 5, E. 18: “The Offer” 

Character Profile: Jewel 

Character Profile: Claudius 

Character Profile: Dr. Kerry Weaver 

Winchester & The Piano Man 
S. 8, E. 19: “Morale Victory” 

Character Development Instrument
S. 1, E. 1: “Pilot” 

This Is Why We Have No Friends
S. 3, E. 11: “The Friend” 

You can get in touch with me by sending an email to: apulrang@icloud.com. Or, contact me by Twitter: @AndrewPulrang, or Facebook Messaging.

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Saturday, August 8, 2015

A New Favorite

Difficult People … on Hulu.
Stare At Shannon … on YouTube.
Shannon DeVido … website.

I just re-discovered Shannon DeVIdo. I read about her and found her YouTube Channel maybe a year ago, and then forgot to watch more of her videos. She's hilarious.





The standard thing to say is that Shannon DeVido is a funny, talented comedian, not a funny, talented, “disabled comedian,” or, for that matter, a “comedian with a disability.” She is hilarious and she does have a ton of talent and charisma, but a lot of her comedy does revolve around her disability. More precisely, her best comedy is about being a disabled woman in a mostly non-disabled world. Somehow, she highlights the “funny side” of disability, including the strange attitudes and habits of non-disabled people, and the ever-present barriers faced by disabled people in everyday life. Yet, she’s not angry and she doesn’t ridicule anyone or imply that non-disabled people are stupid. Ridicule has it’s place, and bitter can work for comedy. It’s just that Shannon DeVido’s perplexed but positive take makes her work refreshing and accessible … see what I did there? … without being trite.

Anyway, the big news is that Shannon got a guest spot on the new streaming series Difficult People. Maybe it’s a small thing, but I love the fact that the part wasn’t written for a disabled person, but she got the role anyway. That should happen a lot more often.



I wish there was more to the appearance. It would be great if they'd bring her back once in awhile. Then again, bit parts are important, too. They help people get more used to seeing disabled people in ordinary situations, with distinguishing characteristics other than being, you know, disabled.

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Monday, August 3, 2015

Disability.TV - Ep. 27 - Seinfeld, Part One

Disability.TV Ep. 27, with Seinfeld poster
“Expertly plotted and beautifully written, Seinfeld was, above all, a celebration of juvenility, a paean to the sense of community that can arise when a group of wholly irresponsible inadequates bonds over a shared scorn for / loathing of the outside world.” — Sarah Dempster, The Guardian

In this episode of DIsability.TV and the next, we will examine how the show handles disability themes and disabled characters. What should we make of potentially offensive and upsetting disability stories, in a comedy about dispicable people? When is bad behavior on TV a satire and condemnation, and when is it just plain bad? And not for the first time, we ask what happens when disabled characters are given no voice, and used as mere props and plot devices.



Show Notes


Wiki Sein ... A guide to all things Seinfeld.
“Crazy” Joe Davola (Peter Crombie)
Mickey Abbott (Danny Woodburn)
Laura The Lip Reader (Marlee Matlin)


Thursday, July 16, 2015

Throwback Thursday

Two years ago in Disability Thinking: Remembering The Pakleds.

I recently re-watched "Samaritan Snare.”

Ooof, it’s pretty awful. I think the writers meant well. I think they were trying to make some kind of bland point about underestimating people you assume are weak or incapable. But the portrayal is so insulting that any good is undone. Ultimately, you have a fictional alien species transparently crafted to display stereotypes of cognitive impairment. You have lines clearly intended to be mildly comical. You have our good Starfleet officers responding with a veneer of patience, just barely hiding irritation at having to deal with these obviously stupid humanoids. Hardee har, har! You have to work awfully hard to pull a positive message out of all that. Just check out the comments to the video below.

The episode is worth watching though, if only to be reminded that good intentions don’t guarantee good disability depictions.



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Monday, July 13, 2015

Podcast Update



Disability.TV A podcast about disability on television
No Seinfeld for you! Not today anyway.

I originally planned to post a Disability.TV Podcast episode on Seinfeld today. Instead, I found myself rethinking how to do the podcast going forward. The upshot is that I am making a couple of adjustments based on feedback received so far in the Visitor Survey. If you haven’t yet taken the survey, please do. It will stay open indefinitely.

1. Shorter Episodes

Starting Monday, August 3, podcasts will come out on the first and third Monday of each month. Each episode will be about half an hour long, sometimes a standalone episode, sometimes half a two-part installment on a single TV show or topic. In addition to cutting longer episodes in half and posting them two weeks apart, I will also work on being more concise overall.

2. Transcripts

Every episode will include a complete written transcript. It takes about a week to get transcripts done, so I will record and each month's episodes first, order the transcripts, and post the episodes later when the transcripts are done. Transcripts are essential to make podcasts accessible to deaf and hearing impaired people, and may also be helpful for others as well.

Here is the tentative schedule for the next few months:

August, 2015


Aug 3 - Part One
Aug 17 - Part Two

September, 2015


Sep 7 - Part One
Sep 21 - Part Two

October, 2015


Oct 5 - Part One
Oct 19 - Part Two

November, 2015


Nov 2 - Part One
Nov 16 - Part Two

December, 2015

Dec 7 - Autistic Characters
Dec 21 - Disability Tropes

January, 2016


Jan 4 - Part One
Jan 18 - Part Two

If you would like to be a guest for any of these topics, please let me know. Send me an email at: apulrang@icloud.com. You can also contact me through Twitter: @AndrewPulrang or Facebook. I could also use some help paying for transcripts and other technical improvements. Check out the Support page to see how you can contribute.

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Wednesday, July 8, 2015

Podcast Preview: Seinfeld

This week I am working on the next Disability.TV Podcast, which will be about disability on the best sitcom in television history, Seinfeld. I thought this would be a quick, breezy, impressionistic episode. After all, none of Seinfeld’s regular characters have disabilities, and the show itself isn’t about disability. As it turns out, there’s actually a lot of disability stuff to re-watch and talk about.

I have picked out eight storylines that focus on disabled characters or disability themes. None of them are what I would call “positive” depictions of disability. Yet, they are all interesting and worth watching, because in most of them there are interesting ideas to chew over about how non-disabled people view disabled people and disability issues.

The videos below are from three of the disability stories that I will explore in the podcast. Look for the episode here on Saturday.







Er, yeah, there's sexism, too.

Every episode of Seinfeld is now available on Hulu.com. I also want to thank Vinnie and Matt, the hosts of Seincast: A Seinfeld Podcast for their thoughts and advice.

You can also subscribe to the Disability.TV Podcast, and leave ratings and comments, at iTunes or Stitcher. Please consider supporting the podcast and this blog by becoming a Patreon sponsor. Any way you can help, I appreciate your support.

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Tuesday, June 23, 2015

Disability.TV - Ep. 25 - Girls: Jessa & Beedie




In this episode, we focus not on a whole TV series, but a short storyline within a series … the Jessa and Beedie story on HBO’s “Girls.” It starts off as an assisted suicide story, but doesn’t quite end that way.

“Girls" … IMDB.
Editorial on Assisted Suicide … By Marilyn Golden of the Disability Rights Education and Defense Fund.
Season 3, Episode 12 Two Plane Rides and Season 4, Episode 1 Iowa … “Girls” HBO Episode Summaries.
Disability.TV Star Ratings Google Doc … Star ratings for every show reviewed on the Disability.TV Podcast.

Jessa

Beedie

Monday, June 15, 2015

Good TV

Is it possible for a TV show to be too progressive?

It’s a wonderful thing to come across a new TV show to love, entirely by accident. That happened to me a couple of weeks ago when I stumbled upon the Australian series, Miss Fisher’s Murder Mysteries. It’s like Downton Abbey on cocaine, and with more sex and murder.



Another aspect that caught me by surprise is that at least two of the episodes available on Netflix include characters with disabilities.

Season 1, Episode 12, “Murder in the Dark,” involves one of lead character Phryne Fisher’s adult cousins, who appears to have Cerebral Palsy. His portrayal is a mixed bag. In some ways he is treated like a great big child, and he seems to have internalized this, as he sort of acts like one. On the other hand, he isn’t hidden away and Phryne treats him with respect and affection pretty much the same as any close cousins of around the same age. He ends up seeming like a person who is cognitively impaired, but probably "smarter" than most people give him credit for.

Season 2, Episode 8, “The Blood of Juana the Mad,” takes place at a University, and involves a graduate student I am positive we are supposed to understand is autistic. Although she is a little on the stereotypical side, he is interesting partly because autism hadn’t been identified in the mid 1920s, which is when this show takes place. In this case, most people around her treat her like a “madwoman.” But Phryne and, following her lead, the other people on her team, just roll with the woman’s “quirks” and “obsessions," which immediately makes her seem less odd and allows a working relationship to develop.

One thing I haven’t quite decided yet is whether Miss Fisher’s Murder Mysteries is too progressive for a period piece. Many of the episodes deal with one social justice issue or another, not just disability. It sometimes seems like Miss Fisher has been sent back in time from 2015. It’s hard to imagine someone like her, in her, era having the liberal, open-minded views she has. All of her opinions are awesome. Just once I’d like to see her have a realistic 1920s prejudice about something ... a bit of highbrow anti-semitism, a conventional view of Aboriginals, or some other unpleasant but unsurprising attitude she could maybe struggle to overcome. Still, her easy progressivism does feel earned most of the time. Phryne is meant to be a free spirit and a non-conformist, who both fits into and clashes with her upper class upbringing. The best thing about this is that because people can't help liking her, they tend to find themselves adopting her ideas, sometimes much to their surprise. The progressivism on the show is a bit anachronistic, but it works.

This is something I think about a lot when it comes to disability on TV. Which is more important ... sending progressive messages about disability for today's audience, or accurately depicting how disabled people are treated in the eras and settings in which they are depicted? Seeing ableism on-screen can be upsetting, but the lack of it can make an otherwise good show feel like a nursery school lesson. I guess the key is finding the right balance.

I’ll probably have more to say about this question, and this great TV show, in an upcoming Disability.TV Podcast.

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Monday, June 8, 2015

Disability.TV Ep. 24 - Red Band Society

Disability.TV Red Band Society Ep. 24 Guests Christina Stephens, Amputee OT and Adrian Crutchfield
What happens when a new TV show you’re looking forward to turns out not to be quite the show you were expecting. That’s what happened when I watched the short-lived, cancelled new series, "Red Band Society.” In this episode, We talk about what the show got right and what it got wrong about disability, and how we felt about the show overall, with Christina Stephens, known on YouTube as Amputee OT, and creator of the Lego Leg. Plus, her friend Adrian chimed in with his perspective on the show.



Amputee OT (YouTube Channel)

Star Ratings for Red Band Society

Andrew - 2 1/2 stars
Christina - 3 1/2 stars
Adrian - 3 1/4 stars

Disability.TV Podcast

Friday, June 5, 2015

Disabled Youth & Vampire Slayers

Buffy the Vampire Slayer poster
Early yesterday morning, while I lay in bed snoozing and listening to a podcast, I came across some unexpected insight into part of the disability experience, thanks to Buffy The Vampire Slayer.

The podcast I was listening to is called Dusted, in which husband and wife professional writers dissect and analyze every episode of Buffy, focusing particular attention to writing and storytelling technique.

The insight came when Loni and Alastair were talking about Joyce, mother of Buffy, (teenage slayer of vampires), and Giles, Buffy's “Watcher,” that is, her trainer, supervisor, and mentor. The thought that woke me up fully is that Joyce and Giles’ different approaches to Buffy and her “special” identity look a lot like the different perspectives we see on what it means to have a disability.

To be clear, Buffy isn’t disabled. The premise of the show is that she is more or less “chosen,” by mysterious forces nobody controls, to be “the one girl in all the world” endowed with the strength, durability, and instinct to slay vampires and demons … who in the universe of the show are quite real, though most people don’t know it. Buffy did not choose this role. Although it comes with near-superhero powers, being the “chosen one” is also a massive burden, and pretty much precludes living a “normal life.” In fact, being The Slayer means a rather short life is pretty likely. Much of the first two seasons of the show involves Buffy coming to terms with her identity and duty. She wants to be a “normal” teenage girl … go to school, have friends, have a boyfriend, go to dances … and she does all of those things to some extent. But as Giles often reminds her, her life can never be “normal.” Whether she likes it or not, there is an important part of her identity that she can’t change. She can try to deny it, even run away from it, but on the show it’s clear that she will only find a semblance of peace and fulfillment if she embraces it.

(Spoilers ahead!)

Photo of middle aged woman looking concerned, speaking to young woman viewed from behind
Joyce and Buffy
Joyce finds out that Buffy is The Slayer late in the second season, and while she accepts the truth of it rather more quickly than any real-world parent would, her reaction reminded me of a parent dealing with a child’s disability. Notably, there are one or two moments where the writers have Joyce draw direct parallels to having a child who turns out to be gay, another type of identity where some people mistakenly hope that a little determination might make it not be so. “Have you tried not being The Slayer,” Joyce pleads. Later, when Buffy gets great SAT scores, Joyce latches onto this like a life preserver. Buffy can go to a college far away and escape this Slayer thing! Obtain all the trappings of normalcy, look normal and act normal, and you will be normal.

Photo of teenaged girl rolling her eyes upward, sitting next to a middle aged man with arms crossed
Buffy and Giles
Giles has a more subtle view. He knows, and endeavors to impress on Buffy, that she will never live a normal life. However, she can live a good life. In fact, fulfilling her unusual “destiny” is an important part of Buffy living a good, and fulfilling life.

Buffy's "parents" both want the best for her. Neither wants to see her suffer or struggle with things a teenager should never have to struggle with. But Joyce still thinks there might be a way out, while Giles knows there isn't, but that it still can be OK for Buffy, if she is proactive and embraces her role.

I am not suggesting that having a disability is anything like being a superhero … a tempting but misleading comparison. Having a disability isn't much like being a mystically chosen vampire slayer with a life-long, world-saving mission.

Yet, there are similarities.

Disability is partly a condition, partly an identity, something nobody chooses, and most people can't really escape. Like Buffy, you can live a good life, but there's going to be some danger, hardship, and some very specific kinds of pain. Most people, even some of those closest to you, don't really "get" what your life entails.

What hit me like a freight train is that Joyce and Giles’ different understandings of Buffy’s “special” identity tells us a lot about how we view the road ahead for youth with disabilities.

The “Joyce" strategy is to turn away, mask the disability, don't acknowledge or "give in" to it. Try just the right things, try hard enough, and you might just make it go away. I think this works for some people with certain kinds of disabilities, but more often it simply delays a real reckoning. Still, it’s an understandable reaction, and it may be going too far to say that it is entirely wrong.

The “Giles" approach may at first seem bleak, but it is just as loving and optimistic. He knows that Buffy’s unique identity is inescapable, and that the best thing to do about it is make the best of it. He doesn’t see this as settling for less, either. Being the Slayer is a gift. Buffy has an important role to play. And, her life can be wonderful as much because of that as in spite of it. It’s just going to be very different from what Joyce, and even Buffy, may have had in mind. It is like that with disabilities, too.

Whether you are disabled yourself or have a friend or family member with a disability, what are you … a Joyce, or a Giles?

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Wednesday, June 3, 2015

Podcast Updates

Disability.TV logo - old style TV set with disability symbols on the screen
I am having an extra busy week, so I am pushing the next Disability.TV Podcast episode to next Monday, June 8, 2015. As I have mentioned, my guest will be Christina Stephens, known on YouTube as Amputee OT, and creator of the Lego Leg video. We will discuss the disabled characters and disability themes in last fall’s Fox show, Red Band Society.

Here are some tentative topics for other upcoming episodes:
If anyone is interested in being my guest on any of these episodes, send me an email, or message me in Facebook or Twitter.

And don’t forget, you can get all the episodes of the Disability.TV Podcast by visiting the Disability.TV Website, or by subscribing with iTunes or your favorite podcast application. Subscribing is free, and each new episode is downloaded automatically to your computer or mobile device.

Thursday, May 28, 2015

Throwback Thursday

Illustration of the time machine from the film "Time Machine"
Two years ago in Disability Thinking: What’s The Deal With Kevin?

Kevin from The Office, that is.

Two years later, I think differently about cognitive impairment. I’ve also become a lot more attuned to how TV writers like to use ambiguously cognitively disabled characters, which allow them to poke grade-school-level fun at certain stereotypical tics, looks, and voices, while mostly escaping criticism for outright making fun of disabled people. I still believe the open questions about Kevin reflect similar uncertainty people sometimes have in real life, but I also think it gave the writer’s license to laugh at Kevin, supposedly guilt-free.

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Friday, May 22, 2015

"Geeky Gimp" Panel - Disability In Star Trek



I had a great time last night talking with some fellow disabled geeks about disability in Star Trek, hosted by Erin of The Geeky Gimp. We covered a lot of ground, and basically agreed that disability in Trek is a mixed bag of good intentions, interesting ideas, and sometimes sloppy thinking about disability issues. Also, using Google Hangouts got me thinking about changing how I do my Disability.TV Podcast. Maybe a video chat is a better way to go. Just thinking ...

If you do Twitter, you should follow the other fantastic panelists:

Alice Wong: @SFdirewolf
Zack Kline: @zkline
Day Al-Mohamed: @DalAlmohamed
Host Erin H.: @geekygimp

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Tuesday, May 5, 2015

This Old (Accessible) House

Icon of a house
Eliza Mills, Marketplace - May 1, 2015

It’s good to see that This Old House is going to deal with home accessibility again. I have a vague recollection that they did some shows like this sometime back in the early ‘90s.

Focusing on disabled veterans is a good idea, but it would be nice if they would cover some other situations, too … like elderly folks who want to stay in their own homes, families with disabled kids, and young adults with disabilities of other kinds.

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Friday, April 24, 2015

Thinking About Disability On TV

Disability.TV Podcast logo with URL disabilitythinking.blogspot.comI doubt there are many people who think there's too much disability on TV. People come up with all kinds of reasons why it’s so rare, and why disability stories are the way they are. However, there is a near consensus that life would be better for disabled people if everyone saw more disabled people in popular culture.

That sounds sensible, though I am skeptical about any definite cause-effect relationship, for the good or the bad. Plus, it doesn’t answer a critical question. Which kinds of depictions do the most harm, and which the most good? What exactly are we looking for in disability on TV?

I love TV, I am disabled, and I like digging into why popular culture is the way it is, and what that means for people in real life. That’s why I started a podcast, Disability.TV, and why I have been participating in some great discussions about this on social media, including Saturday evening #FilmDis Twitter discussions. I’ve got so many questions and ideas floating around, at this point. I think this would be a good time for a brain dump. I’d like to see what others think about the questions I have been hashing out.

Questions

Would it be enough just to see more disabled characters on TV shows? What is the relationship between quantity and quality?

Injured man in a fully enclosing futuristic wheelchair
Do we want to see only uplifting disabled characters? Is there any value in disabled characters who aren’t admirable, or do they run too much risk of sending the wrong messages about disabled people?

Do most disabled characters on TV present an authentic disabled person’s point of view, a non-disabled person’s point of view, or a TV writer’s need for something to drive the plot?

What about TV portrayals of some of the terrible ways disabled people have been treated, now and in the past? When does accurate, brave depiction of evil become just more exploitation?

Do we automatically count it against a show if characters on it say things about disability we disagree with? What does it mean when a show clearly wants us to believe one thing about disability, but we see something else entirely on the very same show?

Marlee Matilin as Joey Lucas on The West Wing, signingIs it possible to have good disability portrayals in comedy, without it devolving into mockery?

Are disabled character behaviors that fit into disability cliches and stereotypes inherently offensive?

Is it always offensive for non-disabled actors to play disabled characters? In addition to questions of equal opportunity for disabled actors, is it akin to blackface? Does “cripping up” negate any other value in a depiction?

Is there a correlation between broad popularity and good disability portrayals?

What kinds of disabled characters and disability situations on TV give us joy?

Tyrion Test

Before starting the Disability.TV Podcast, I tried to come up with a simple, clear criteria for judging disability on TV or in the movies. I started with the Bechdel Test, which evaluates how a show or movie portrays women, based on whether it:

1) Features at least two women, who

2) Talk to each other,

3) About something other than a man.

After a few tries, I came up with what I called the Tyrion Test, after my favorite disabled character, Tyrion Lannister on Game Of Thrones:

1) At least one character with disabilities is involved in significant plot developments not centered on their disabilities,

2) Disabilities are depicted realistically, neither less nor more severe than they would be in real life, and

3) Disabled characters are givers as well as receivers … supportive of other characters, not just supported by them.

This is an interesting measure, I think, but it leaves too many angles unexamined.

5-Star Rating System for Disability Onscreen

After several months of podcasting, and conversations about this over Twitter, I decided to come up with a more traditional 5-star rating system, similar to what Netflix and some critics use to rate movies and TV shows. Each TV show can earn up to 5 stars, but each star represents a particular measure.

Authenticity … Are the details of disability portrayed accurately?

Characters … Are disabled characters fully developed, low on cliché, and more than just plot devices?

Messages … Does the work have something to say about disability?

Representation … Are disabled characters played by disabled actors?

Watchability … Is the work overall entertaining and high-quality?

Chief Robert Ironside in wheelchair, with 3 team members
I allow half stars.

The best thing about this system is that it allows full credit for parts of the depiction that work, and takes proportional credit off the score for aspects that fail. Each category is of about equal value. So, since disabled characters are very rarely played by disabled actors, even some very good shows will loose half or a full star for lack of Representation. Similarly, if a show dutifully checks all the speciality disability boxes, but is dull and poorly presented, it’s not going to earn full credit for Watchability, which can significantly impact the show’s overall star rating.

On the other hand, I feel a little like the dour Headmaster in Dead Poet's Society who takes over Mr. Keating's class and tries to teach the kids how to appreciate poetry by use of charts and graphs.

How do you respond to disability on TV? What do you hate to see, and what would you most like to see?

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